San Francisco Lyric Opera

We’re happy to gratify you with soul-starring performances and eye-opening reviews, leaving your opera soul in dire need of more.

Performances

We’re devoted to producing some of the most thrilling, soul-stirring, and compelling opera you’d ever witness or read about on the news. More than anything else, we consistently present the most-creative international opera artists, conductors, designers, and directors throughout our stage. Our unusual repertoire and innovative productions help you experience opera as you’ve never done.

Preparations

After the curtain closes, our opera effect still abides. See how we do it.

01.

Planning

The planning process aims to generate ideas for what the performer will sing and It begins with organizing your score. 

02.

Learning Process

Figure out which sections are easier or harder and Put in your language work before your musical work then, Learn the rhythms and notes.

03.

Become The Character

Now is the time to dive into your character’s story and make this role your own. Gather information by meeting with an acting coach or your director to fill in the gaps.

Training

We spark creativity across San Francisco via inventive learning opportunities, partnership, research, and artistic production.

We present seasonal immersive arts programs for young opera lovers between the age of 10-18. We offer weekly training, rehearsals, and excursions to provincial performances. It’s up to you to join our train to fulfill your dreams and impact the change you desire.

Some Reviews

Nothing beats our educated reviews as we leave nothing to your imaginations. All you need to do is follow our updates.
Hands down to the cast! Love it!
Dave Ponce
Engineer
This is my first time making a review and I'm glad it's the San Francisco Lyrics Opera cause they made my night. I'm grateful for one of the most unforgettable moments in my life.
DeVonne Smith
Veterinarian
Love to all the cast and crew to the producer for a job well done.
Jonathan Michael
Marketing Strategist

Featured Articles

5 Opera Singers You Should Listen To

Opera is a genre of classical music that was born in Italy. Some people regard it as the highest form of musical expression, because opera singers are able to hit notes so high they sound like birds singing. There are many different types of operas and each one has its own unique story line. Here are five famous opera singers you should know about: Luciano Pavarotti – This Italian tenor was one of the best-known operatic artists in history, selling over 80 million records worldwide. His most famous song is “Nessun Dorma”, which he sang at two World Cup soccer games in 1990 and 1994 for an estimated 1 billion viewers worldwide! Madama Butterfly – This opera tells the story of Cio-Cio San (also known as Madama Butterfly), an innocent Japanese girl who falls madly in love with an American man named Pinkerton after he promises to marry her and take her back to America with him; but later, when she discovers his true intentions, she kills herself by stabbing herself with his knife. Ana María Martínez – She was the youngest person ever to win the Richard Tucker Award in 2006. Her voice is described as “glorious” and she sings a wide range of roles from soprano to mezzo-soprano parts. Joyce DiDonato – She plays both male and female characters with ease, which makes her incredibly versatile. Her debut album was named one of the best classical albums by iTunes in 2011. Gerald Finley – An English bass-baritone who sings roles from Mozart’s operas as well as Wagner’s “Ring Cycle” among others. He also sings everything from Baroque music by Handel and Bach to contemporary works by John Adams.

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Some Of The Most Famous Opera Artists

Some Of The Most Famous Opera Artists The opera world is a big one, and it’s hard to keep up with all the artists out there. But luckily for you we have put together this list of some of the most famous opera singers in history! You’ll be singing along in no time.

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Garment Steamer or Flat Iron: Which is Better For Opera Production Team

An opera production team must always look impeccable on the stag. And the costumes are among the most important things opera artists need to be careful about. No matter how well they perform in their acting and singing roles, if the costumes are less than perfect, the entire show could be a failure of epic proportions. Which one is better for opera production teams? Let’s find out.Time efficiency Time is always a pressing issue for opera production teams. They need a fast and efficient solution to iron their precious costumes. As these are so delicate and elaborate, a garment steamer does a better job of getting rid of the wrinkles in a more convenient way than a flat iron. Besides that, ironing the clothes can potentially damage the costumes’ soft materials. Last but not least, a handheld garment steamer can be easily brought everywhere and can give convenience to the opera production teams. Hygiene Costumes used by opera production teams aren’t usually washed for months, sometimes even years and can develop bacteria or other types of fungi. By steaming the clothes, all these problems disappear, and the costumes’ life is prolonged. Plus, using a garment steamer keeps them hygienic. And finally, let’s not forget that costumes are shared by the entire opera production team, so the risk of them damaging over time is high. Luckily, a garment steamer minimizes this possibility. We cannot say the same things about flat ironing. These products don’t have any positive functions for opera costumes. Materials protection As many opera costumes contain wool or derivates of wool (synthetics) and silk fabrics, it’s very important to treat them with an extra car. Unlike flat irons, garment steamers are more subtle products that don’t damage the costumes’ materials and keep them in great shape. Ease of use and portability Traveling is part of the opera production team’s daily or weekly habits. Opera artists are always on the road. Because of this reason, the clothes tend to get wrinkled fast and very often. The solution, either ironing or steaming them. But think for a second, how comfortable is it for artists to carry an iron with them as they travel from show to show? On the other hand, a handheld garment steamer which can be easily brought everywhere is extremely useful. And an additional reason why such a device is better than a flat iron, it can save precious space in artists’ baggage. Finally, the garment steamer doesn’t require additional equipment to function (iron boards, for instance). It simply works on its own, without anything else. Conclusion If you’re part of an opera production team, then you definitely should go for a garment steamer instead of a flat iron for fixing your costumes. Even outside your work, the garment steamer has its uses, unlike the iron. For example, it’s excellent for dusting your drapes, cleaning sofas, getting rid of stains on carpets or sanitizing different surfaces. It can even work wonders in your bathroom and make it sparkle if you steam it!

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OPERA REVIEW: GISELA IN HER BATHTUB

This Sunday, we got the opportunity to experience the opera called Gisela In Her Bathtub at the X Auditorium. Having a keen interest in operas, we had already heard the massive positive reception of this well-known piece from its previous renditions. Even so, we went through a number of Gisela In-Her-Bathtub and Bathtub reviews (http://www.thebestflushingtoilet.com/bathtub-reviews/) before stepping into the auditorium. Background and Origin Gisela In-Her-Bathtub is a popular one-act comic chamber opera. It was first brought it to life on July 16, 1991, at the Burton Cummings-Theatre of Ottawa. Even after the passing of two decades, this opera has not lost its touch. Many theatres and universities still perform this opera to relive its combination of drama, humorand melody. The renowned composer, conductor and director Neil Weisensel originally authored this opera. He partnered with his longtime colleague Michael Cavanagh who was on the libretto. Story The story of Gisela In-Her-Bathtub explores historical romance from a contemporary point of view. As the curtains go up, the central character Gisela slowly advances to her elegant white bathtub. She teases the audience just a little while she sheds off the bathrobe and the lights go off. After the veil of darkness lifts from the stage, we see her sitting in the tub preparing for a long read. We get to view the intricate design and features in mount filler of bathtub. She then picks up her current favorite book based on an elaborate historical romance. We can see all the details of this epic saga with our own eyes. The protagonists of the novel play out their book scenes on the same stage as Gisela. This novel centers around the romance between Princess Helga & Prince Olaf. They both belong to Iceland in the ninth century. Their situation compels them to go through some rough patches with each other. A family dispute and bloodsheds took their blossoming love to new dramatic heights. Gisela stays engrossed in this intense tale of love and war despite the few interruptions along the way. Performance Our Gisela on stage was graceful and enthusiastic. She kept us audience absorbed in the tale just like her. The actress playing Helga displayed remarkable talent in both music and acting. She kept fluctuating her voice effortlessly between a wide range of musical notes. Be it comic or drama; she succeeded in exhibiting apt expressions in both. Her pairing with the young lad Olaf was impeccable. The chemistry and the skills of the whole cast went hand in hand throughout the opera. Orchestra Throughout this play, the rich orchestra led by Mr. X elevated the degrees of drama and tension even more. Their music was not too overwhelming or too dull. It stroke the balance correctly by mixing up the highs and the lows. Overall, it was a pleasant experience to watch a bunch of talented young individuals gives their best on stage. Their performances created a spark which will stay lit for quite some time. The gripping melodies in the background kept us hooked till the very last second. We hope to see more of such lively and passionate opera productions in the future.

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